composition tips

Composition Tip #21: Workshop Your Music

Workshop Weekend, Mar-2012

(Photo credit: maltman23)

Your composition is not really finished until you have had some sessions working with a performer (or group) where you bring the piece to life, work on the details in the real world. Pieces always benefit from tweaking – making small improvements – that are only possible in live rehearsals. Ideas that seemed brilliant in your mind or on paper or were so slick when Finale played all the parts sometimes don’t cut it when actual people are playing the parts, and hearing the piece live may give you all kinds of new ideas. Encourage players to suggest ways to make their parts more playable (watch out for their tendency to want to macho through everything without changes, however). Sometimes parts have to be difficult, but you can save a lot of needless suffering by making little changes that make the performer’s job easier or balance chords or timbres, and so on.

Enhanced by Zemanta

Composition Tip #20: Just Show Up

Note as

Write every day. Something. Anything. 4 bars of whole notes! Anything! No excuse! Momentum and consistent effort is the most important thing. You get 12 gold stars for writing anything (just show up!); only 1 silver star for any the amount. The minimum you need for a piece is a tempo, a meter, and an instrumentation. Short is good. A lot of short exercises are, in fact, not only a good way to get going, but also a good way to experiment with new stuff: styles, techniques, instruments. Practice writing what you don’t know yet.

Enhanced by Zemanta

Composition Tip #18: Don’t Fall in Love with Your Ink

ink-stain-texture-4

(Photo credit: designshard)

Don’t fall in love with your ink. What you write is not Holy Writ. Your notation is just your best current guess at how to realize the nebula of sound you hear inside your head. There is almost always another way to do something, achieve an effect. Be ready to change anything and everything at any time for the good of the piece or to make it more playable (listen to the players. Composers – even you – don’t know everything). Or even to throw out the whole thing (sometimes starting over completely is the best/easiest way to fix a piece).

Enhanced by Zemanta