Gospel Time by Jeffrey Agrell (video)

I like to think of the notated versions of my compositions as beginnings, not ends. I am always happy when performers inject their own visions and imaginations into my music. Composers don’t know everything. If we make performers partners, we will have a lot more varied and interesting performances. Why should a composition be frozen forever in one single version (recordings tend to make us think that there is only one valid version of a piece). The performance below of my Gospel Time for trombone quartet is good evidence of great imagination. There is no singing in my version – it was delightful to see that they dared to transform the first section into a sort of wordless sung hymn. There were more liberties in the middle – with a spontaneous oom pan section – what fun! They also had fun with the ending – more singing; plus a late coda encore. Good for them. I really enjoyed their performance, and clearly, so did the audience